Review Comment:
The article is an overview of the state of the art in Ontology Engineering (OE), with a focus on the last ten years, and proposing some areas of improvement.
The contribution is well written, and summarizes a representative sample of the work carried out in OE. From my perspective, a few additions/clarifications would make the overview a better one (see list below).
My main criticism concerns the scope of the "challenges and opportunities for future research", which is quite generic, and sounds like a project report rather than a research-oriented vision statement (as these SWJ issues typically encourage). My suggestion here is to figure out new methods and hybridisations, which could make a breakthrough.
Additions/Clarifications for the overview part (sections 1-4):
1) some mention of advancements in formal ontology, at least in their applications to the SW. As an example, [1] shows the power of a foundational ontology in discovering anti-patterns and inconsistencies in a large knowledge graph such as DBpedia
2) although not comprehensive, the mentioned domains sampled in the overview should be representative. This is not the case with cultural heritage, whose state of the art sampling is limited: "In the cultural heritage field, the ISO 21127:2014 standard prescribes an ontology that allows the exchange of cultural heritage data between institutions, such as museums, libraries and archives". However, much work has been done, spanning from Eero Hyvonen work to FRBR, Europeana, and the recent advanced ontology network (ArCo) used to design the huge knowledge graph of Italian Cultural heritage [2]
3) in the methodological part, eXtreme Design [3] is missing, despite its focus on design pattern-based iterative design without using waterfall, usually rigid methods that are widespread in the literature
4) ODPs are referenced through a couple of publications, and its workshops, but not with its repository [4], which is essential for the community, originally bootstrapped in the NeOn project (mentioned elsewhere), but still actively used after more than 10 years
5) Widoco ontology documentation tool is mentioned, but that style of documentation has been initiated by LODE [5], and actually reused in Widoco
6) the Gra.fo tool is mentioned, but not the original inspiration for this kind of viz tools, i.e. VOWL [6], and its set of tools, e.g. WebVowl [7]
7) some important sub-areas of OE are under-represented: ontology matching, reuse, evolution, learning. This is true both for the overview, and the challenges/opportunities parts
8) A citation is incomplete:
[37] P. Hitzler, A. Gangemi and K. Janowicz, Ontology engineering with ontology design patterns: Foundations and applications, Vol. 25, IOS Press, 2016.
-->
[37] P. Hitzler, A. Gangemi, K. Janowicz, A. Krishnadi, V. Presutti, Ontology engineering with ontology design patterns: Foundations and applications, Vol. 25, IOS Press, 2016.
[1] Experimenting with eXtreme design, ISWC2015
[2] ArCo: the Italian Cultural Heritage Knowledge Graph, ISWC2019
[3] Experimenting with eXtreme design, EKAW2010
[4] http://www.ontologydesignpatterns.org
[5] https://essepuntato.it/lode/
[6] http://vowl.visualdataweb.org
[7] http://vowl.visualdataweb.org/webvowl.html
|